VINCENZO DE COTIIS

The Future Is Now

The work of visionary architect and designer Vincenzo De Cotiis traces a winding path—one that often turns back on itself, driven by parallelisms in space and time, cultural layering, and quantum leaps. It is a process not immediately perceptible to reason or intellect, yet one that manifests tangibly in the materiality of his countless creations.

De Cotiis speaks of an imperative need to seek new forms of expression. His creations emerge from a fusion of reclaimed materials and reflective, futuristic surfaces, resulting in works of striking presence—a unique synthesis of art and design that defies reproduction.

Visionary architect and designer Vincenzo De Cotiis

“I am convinced,” he says, “that architecture holds the power to influence the relationships between people and objects through the materiality of space.”

Selected pieces are available at his own gallery in Milan, as well as through Carpenters Workshop Gallery and at leading international art and design fairs such as Art Basel, Art Paris, Design Miami / Basel, Dubai Design Week, PAD London, TEFAF Maastricht and New York, and The Armory Show.

In 2019, his works were exhibited at the Museo Franz Mayer in Mexico City and at the Ca’ d’Oro during the Venice Biennale. His piece Ode has now been added to the collection of the FENIX Museum in Rotterdam.

Mr De Cotiis, your work sometimes feels futuristic, and at other times like an artefact with the patina of another century. How would you describe your objects, and what do you wish to express through them?

Vincenzo De Cotiis: I am a man of the future with a deeply classical background. My work reflects this dual soul – one that looks forward, yet remains firmly rooted in the past. The combination of these two worlds allows for the creation of unique pieces that challenge traditional conventions and open up new perspectives.

How did you develop and discover the materials and design language for your objects?

Materials and design language emerge from tireless exploration, research, and an insatiable curiosity. I am constantly searching for old or rare materials and combining them with modern techniques to bring something entirely new to life. The key lies in experimentation and openness to new ideas.

You’ve just unveiled your latest work, Archeology of Consciousness. Can you tell us more about it?

Archeology of Consciousness is an ode to the interaction between antiquity and modernity. It explores how our historical roots merge with contemporary visions to shape today’s artistic and design consciousness. It is a reflection on the depth of our origins and how they influence the way we perceive the world.

Which designers, artists, or influences have shaped you along your journey?

The in-depth study of different historical periods—art, sculpture, painting, and music—has influenced me far more than any single artist. The complexity and richness of these eras are for me an inexhaustible source of inspiration.

Do you focus more on creating your artworks or working on interior design projects?

I try to divide my time equally between my architectural studio and the creation of artworks. However, I see these two worlds as inseparable. They often intersect and merge seamlessly within my projects.

What are the first steps when beginning an interior design project for a client?

For me, it is essential to understand the context in which the project exists—to study the natural light that defines the surrounding environment, and, of course, to listen carefully to the client’s wishes. Empathy with the client and sensitivity to the site are key.

You recently founded the Vincenzo De Cotiis Foundation...

Yes, I wanted to create a place where art and design merge organically. I am constantly working on new projects, driven also by the passion and talent of my wife.

Do you have any favourite architectural buildings?

I have always held a deep admiration for the works of architects such as Le Corbusier, Tadao Ando, and Carlo Scarpa. Their ability to combine space, light, and materials in unexpected ways has had a significant influence on my architectural thinking.

What was the last object you acquired?

The last object I purchased was a book on the artistic avant-garde of the 20th century. Reading is one of my passions, and immersing myself in a book is one of the best ways to relax and find inspiration.

Being a collector while living in a minimalist way can be a challenge...

True collecting lies in the ability to recognise and select works that genuinely resonate with one’s own essence. It is not about possessing many pieces, but about having the right ones. The art I collect is a reflection of my soul and my style; therefore, there is no conflict for me between being a collector and leading a minimalist life.

Vincenzo De Cotiis is among the most important designers of our time. Born in 1958 in Gonzaga, Lombardy, Italy, he studied architecture at the Politecnico di Milano. In 1997, he founded his studio in Milan, where he continues to live and work today.